Arthur C. Pillsbury Collection
See photographs of the Klondike Gold Rush, California, Oregon and Washington taken by Arthur C. Pillsbury (1870-1946) between about 1896 and 1900.
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Gold nugget from near Anvil Creek, Alaska, ca. 1899
Gold was first discovered at Anvil Creek in 1898 leading to a large rush in prospectors who traveled through nearby Nome, Alaska to reach the gold fields. The value for the gold, provided at $320 in 1899?would be worth $9,891.89 in 2019 dollars.
Identifier: spl_ap_00168
Date: 1899?
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Aerial view of Skagway, Alaska, ca. 1899
View of Skagway, Alaska looking SW towards the Chilkoot Inlet. The White Pass and Yukon Railway roundhouse can be seen at the lower right and many tents and other homes can be seen in the distance. During the Klondike Gold Rush, the White Pass was one of the routes used by prospectors to travel from Skagway to the Yukon gold fields. In April 1898 the White Pass and Yukon Railroad Company was formed in an effort to establish an easier way through the pass. Construction on the railroad began the following month. Thousands of workers worked around the clock in treacherous conditions to complete the project. The railroad track was completed at White Pass on February 20, 1899 and reached Lake Bennett on July 6, 1899. The final spike on the railroad was placed on July 29, 1900 in Carcross, B.C.
Identifier: spl_ap_00041
Date: 1899?
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Aerial view of Dyea and Skagway, Alaska from across Chilkoot Inlet, ca. 1899
Dyea and Skagway served as the two main starting points for overland routes to the Klondike gold fields. Dyea was a short-lived town used by prospectors as an entrance to the Chilkoot Trail. It became less popular after a large avalanche blocked much of the trail on April 3, 1898 killing over 70 prospectors. Skagway served as the starting point for the White Pass Trail. In May 1898 White Pass & Yukon Route railroad route opened in Skagway, offering a faster, safer way for prospectors and their gear to reach the gold fields.
Identifier: spl_ap_00042
Date: 1899?
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Tlingit woman, Klukwan, Alaska, ca. 1899
Although no identification is provided, the woman is believed to be from Tlingit based on the description in spl_ap_00102 where Gow-she-ett-tee is identified as a Klukwan deity. Klukwan is a Tlingit village that was located on the Dalton Trail, a route used by prospectors during the gold rush.
Identifier: spl_ap_00104
Date: 1899?
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White Pass and Yukon Railway tracks and mountain view, ca. 1899
During the Klondike Gold Rush, the White Pass was one of the routes used by prospectors to travel from Skagway to the Yukon gold fields. In April 1898 the White Pass and Yukon Railroad Company was formed in an effort to establish an easier way through the pass. Construction on the railroad began the following month. Thousands of workers worked around the clock in treacherous conditions to complete the project. The railroad track was completed at White Pass on February 20, 1899 and reached Lake Bennett on July 6, 1899. The final spike on the railroad was placed on July 29, 1900 in Carcross, B.C.
Identifier: spl_ap_00141
Date: 1899?
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Juneau and the Gastineau Channel looking SW, ca. 1899
In 1880, gold was discovered at Silver Bow Basin by Richard Harris and Joe Juneau. The gold discovery led to the development of the nearby town of Juneau.
Identifier: spl_ap_00067
Date: 1899?
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Menzies finds rhododendrons at Point Discovery, 1792
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_17.164
Date: 1956
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Illustrations for lecture, Feb 26 1948 (1 of 7)
Mark Tobey was born in Centerville, WI in 1890. Beginning his career as an illustrator, Mark Tobey was a deeply religious man, converting to the universalist Baha'i faith in 1918, which would in some way influence all of his works. After extensive traveling, including a period of time at a Zen monastery in Japan, Tobey taught art and philosophy at Dartington Hall in England until 1937. He then developed his "white writing" technique, painting white cursive writing on dark canvas, a technique which he (and many other Northwest artists) would use extensively until his death. He was one of the four painters LIFE magazine described as "Northwest Mystics". The others were Guy Anderson, Morris Graves and Kenneth Callahan. He died in 1976 in Basel, Switzerland.
Identifier: spl_art_T552il1
Date: 1948
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View NW from 9th Ave. and S. Lane St., ca. 1900
Holy Names Academy, located at 7th Ave. S. and S. Jackson St., appears in the center right of the photograph. The King County Courthouse, located at 7th Ave. and Terrace St., appears at the far right. The photo was taken from near 9th Ave. and S. Lane St., an area now replaced by Interstate 5.
Identifier: spl_ap_00155
Date: 1900?
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Spanish bread oven at Neah Bay
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_16.160
Date: 1956
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