See letters, photographs and other ephemera from two of Seattle's early families.
Narcissa Latimer letter to Alexander and Sarah Latimer, November 17, 1884
Narcissa Leonora (Nora) Latimer Denny was the daughter of Alexander and Sarah Latimer. She had four sisters: Eliza Alice Latimer Fowler (1856-1934), Harriet Ellen Latimer Stephens (1859-1938), Clara Latimer Bickford (1861-1934), and Emma Chesney Latimer Reynolds (1864-1946). Narcissa married Orion Denny on April 1, 1889. The letter is addressed to Alexander and Sarah Latimer and is written from Seattle. It discusses Seattle's climate, her duties as a teacher, women's suffrage, the recent presidential election and Denny family matters including the birth of Roland Denny's third daughter (Edith Denny). Narcissa writes that one of Roland's daughters' was upset that the baby was a girl and notes that ""Cousin Arthur"" (Arthur Denny) consoled the child by telling her that a girl is worth as much as a boy because ""She can vote."" (Washington Territory women were granted the right to vote in 1883 but the right was repealed in August 1888 when a court ruled that the territorial government did not have the authority to enfranchise women voters. Washington became a state in 1889 but women did not regain the vote in Washington until 1910.)
Identifier: spl_lj_004
Date: 1884-11-17
View this itemUnknown man in Santa Barbara, California, ca. 1880
Photograph taken by Alfred Moore Stringfield in Santa Barbara, California.
Identifier: spl_lj_053
Date: 1880?
View this itemAlexander Latimer, ca. 1865
Tintype portrait of Alexander Latimer. Alexander was married to Sarah Latimer and had five daughters: Narcissa Latimer Denny (1851-1900), Eliza Alice Latimer Fowler (1856-1934), Harriet Ellen Latimer Stephens (1859-1938), Clara Latimer Bickford (1861-1934), and Emma Chesney Latimer Reynolds (1864-1946).
Identifier: spl_lj_019
Date: 1865?
View this itemUnknown woman in New York, ca. 1880
Photograph taken by C. Hayden in New York City.
Identifier: spl_lj_026
Date: 1880?
View this itemUnknown woman in Clarinda, Iowa, ca. 1880
Photograph taken by E.B. Hinman in Clarinda, Iowa.
Identifier: spl_lj_031
Date: 1880?
View this itemEmma Chesney Latimer Reynolds, ca. 1880
Emma Chesney Latimer Reynolds was the daughter of Alexander and Sarah Latimer and sister to Narcissa Latimer. Emma married Charles Reynolds in 1886 in Minnesota. Photograph taken by the Meason Studio in La Crosse, Wisconsin.
Identifier: spl_lj_041
Date: 1880?
View this item"Monterey" gunboat in Port Orchard dry dock, ca. 1896
Transcribed from back of photograph: "The Monterey in dry dock at Port Orchard near Seattle. They put the boats in the dock, then pump out the water to paint or clean the bottom which gets covered with barnacles, little muscle shell, seaweeds, + c." The Port Orchard Dry Dock mentioned in the caption is likely the Puget Sound Naval Shipyard.
Identifier: spl_lj_063
Date: 1896?
View this itemGroup of three Native Americans, ca. 1897
Identity of the men and location of the photograph unknown. Time period provided is estimated.
Identifier: spl_lj_069
Date: 1897?
View this itemTwo unknown men, ca. 1865
Tintype portrait of two unidentified men.
Identifier: spl_lj_038
Date: 1865?
View this itemMilton Katims Interview, May 10, 1986
Milton Katims (1909-2006) was a skilled violist and conductor, leading the Seattle Symphony for over two decades. Katims was born in Brooklyn, New York and attended Columbia University. He taught viola classes at schools such as Julliard, Northwestern University, and the University of Washington. He married his wife, Virginia Peterson, in 1940. In 1943, Katims joined the NBC Symphony Orchestra, a radio orchestra that performed weekly broadcasts, and served as the assistant conductor. He also composed his own music and played with ensembles including the Budapest String Quartet and the New York Piano Quartet. Katims conducted symphonies internationally in locales such as Montreal, Boston, Philadelphia and London. He was the conductor of the Seattle Symphony from 1954 to 1976, helping the symphony to grow in prominence. He played a critical role in garnering support to convert the city’s Civic Auditorium to the Opera House, which was shared by the Seattle Symphony, Seattle Opera and Pacific Northwest Ballet. Following his time in Seattle, Katims moved to Houston where he worked as the Artistic Director for the University of Houston School of Music for eight years. Following his retirement, he returned to Seattle.
Identifier: spl_ds_mkatims_01
Date: 1986-05-10
View this item